Beyond Cold War — Falkensee, Germany 2014

Beyond Cold War — VHS photo gallery Stuttgart

June 09, 2016 – July 24, 2016
VHS gallery, Stuttgart / Germany

My recent work «Beyond Cold War» will be presented in a solo exhibition at VHS photo gallery Stuttgart.

Opening: Wednesday, June 08, 2016, 7:30pm

Opening reception with Rüdiger Flöge, director VHS photogallery
Introduction by Marko Schacher, art historian and gallery owner

live music with Jürgen Bothner, saxophone

vhs-photogalerie
Rotebühlplatz 28
70173 Stuttgart / Germany

www.vhs-photogalerie.de

Lisbon Photobook Fair

Lisbon Photobook Fair

November 27, 2015 – November 29, 2015
Arquivo Municipal de Lisboa / Portugal

My work will be presented at the table of malenki.net. Further information about the Lisbon Photobook Fair can be found on the events facebook page: Feira do Livro de Fotografia de Lisboa

Arquivo Municipal de Lisboa
Rua da Palma nº 246
Lisboa / Portugal

Beyond Cold War

Excerpt from the essay «Borderline values» by Andreas Montag

“[…] It was with more mistrust than hate that they confronted one another, spied on one another and listened in on the world of the other. Armed to the teeth with their weaponry, hoarding missiles and nuclear warheads in secret depots while fancifully elaborating upon the minimum amounts of time that a troop of soldiers would have to hold out inside their armoured box until the defenders had built up their front and brought the charging enemy to a halt. It would, of course, be the enemies (who else?) who would advance as aggressors — not those flying their own flag. According to place of residence, self-understanding and propagandistic wind direction, it was ‘the Ruskies’ or ‘American imperialism’ – the eternal adversary.

The latter still continued to manifest itself in the form of the ‘Bonn Ultras’ during the 1970s — a charming term, which has unfortunately gone entirely out of style and which, for members of later generations, might sound more like the hard-core fans of a Rhineland football club. Nonetheless, what was really at stake was class struggle, on the one side, and the defence of Western civilisation, on the other — that is, higher matters for which we were to slaughter one another, if necessary. What sounds like a childish and stupid game of cowboys and Indians was to be universally taken seriously. And it was taken seriously. How much money and how much imagination did it devour? And how many people did it warp and turn evil … […]”

 

Book review on «Beyond Cold War» by Marc Peschke

“[…] Seine unter anderem an der norwegisch-russischen Grenze, an der ehemaligen innerdeutschen Grenze im Harz, in der Türkei und im Ostseeraum Dänemarks fotografierten Bilder sind von subtiler Suggestionskraft. Was ist hier passiert? Wo sind die Spuren des Konflikts? Oftmals finden wir keine, blicken auf Wälder, Gebirge und Seen, schauen auf sattgrüne Wiesen und sind dennoch beunruhigt. Dem 1981 in Jena geborenen Fotografen gelingt es, uns beim Betrachten der Bilder eine gehörige Portion Unbehagen einzuimpfen. Man fühlt sich beobachtet, ausgespäht, ausgehorcht. Aber da ist ja niemand mehr. Oder?
Einige Häuser stehen in der Landschaft herum. Mal führt ein Pfad über eine Wiese, mal ein Weg durch einen Wald. Doch auch diese Spuren des Menschen machen die Orte nicht zu Schauplätzen der Geschichte. Die Suche nach geheimen Unterständen, nach Bunkern, nach Abhörstationen ist umsonst. Warum? Es ist unser Blick, unsere Suche nach Verwertbarem, die Robert Schlotter interessieren. Jede Reifenspur nehmen wir als Indiz: Ja, genau! Hier ist damals etwas passiert! Könnte sein. Muss aber nicht.
Diese Fotografien entziehen sich: Sie sind nicht leicht lesbar – oder nur auf eine Weise: Diese nüchternen, wenngleich sehr genau komponierten Landschaftsbilder erzählen mehr über den, der sie anblickt, als über sich selbst. Sie machen die Erwartung des Betrachters zum Thema. Sie spiegeln einen erwartungsvollen Blick.”

published in: Kunstbuchanzeiger, March 2015 & Photonews, April 2015

 

Beyond Cold War is also available at:

malenki.net
Buchhandlung im Haus der Photographie, Deichtorhallen Hamburg
Galerie Bohai, Hannover
Kunsthalle Bielefeld
Museum Marta Herford
Tique Artspace, Antwerp / Belgium

Beyond Cold War — Langelandsbælt, Near Bagenkop, Denmark 2011

Beyond Cold War

Beyond Cold War is based on an examination of the lines of confrontation during the Cold War in Europe – border areas where NATO and the Warsaw Pact were directly opposed to each other. Schlotter’s main focus is on the landscape of the border regions, which has experienced a certain mystification due to the political and strategic relevance of the corresponding areas during the Cold War. Both sides posed the question of the ‘world’ behind the border.” At the same time, these same areas were places of prohibition, smuggling and agent exchange, escape and killing. On a journey from Norway to Turkey, Robert Schlotter looks at the places and landscapes as scenes of European history that seems more present than ever. One inevitably goes in search of its traces.

Excerpt from the essay «On borders» by Fabian Knierim

“[…] We also find ourselves dealing with sites of memory in the photographs of Robert Schlotter. The project’s premise identifies the landscapes in terms of sites where history has taken place and we instinctively set out in search of its remnants. The compositions of the images encourage us to do so. A path or a street often leads into the distance of the pictorial space and invites viewers to follow its course, to look for clues along the way and to make sense out of them. And we certainly do not end up emptyhanded. Thus, a dome-shaped building — perhaps a surveillance station — rises up above the wooden houses of a Scandinavian town. At the edge of a forest path, we seem to recognise the remnants of anti-tank barriers; half-buried pieces of concrete make us think of the ruins of bunkers. However, the clues are rarely so unambiguous that we can be certain of their significance. Do the tyre tracks leading into the forest mark the path of a border patrol? What is to be made of the structure on top of the garage with the yellow door? Is the barbed wire fence in a clearing the remains of a secured border or just a fence surrounding a piece of land? It looks too formidable for the latter, but seems almost ridiculously inadequate for the former. Is this supposed to be the Iron Curtain? At the places where the representatives of two systems spent decades suspiciously eyeing one another, our gaze becomes paranoid itself. […]”

published in: Beyond Cold War, Halle (Saale) 2014, ISBN 978-3-95462-411-9

Jürgen Kühner on «Beyond Cold War»

“[…] He provides the framework, which is to be filled in by the reader, this may be done by own research, by the power of imagination or by prejudice or simple fantasy. Likewise, the process of transformation, away from a border of any kind to an open space, is of course left to the reader. Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.”

https://www.framesandfascination.com/blog/photobook-review-robert-schlotter-beyond-cold-war